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Holy smokes, it’s been a slow-ish couple weeks in New Release-ville, but that ends today. Sara Watkins (of Nickel Creek), Sarah Jarosz and Aoife O’ Donovan have teamed up for I’m With Her, Car Seat Headrest has a twin fantasy, Brandi Carlile has returned, Superchunk is pissed off, but Belle & Sebastian are here to soothe us. Read on CAR SEAT HEADREST, Twin Fantasy (CD/LP) Give me Frank Ocean’s voice and James Brown’s stage presence,” sings Will Toledo on Cute Thing, highlighting his own shortcomings – he has a tendency to sing in a tone that suggests he’s been given pesto for dinner for the seventh day in a row and he really, really wanted sausages, and a performing persona that suggests he’d rather be digging out his eyeballs with teaspoons – as well as the fact that he’s generated a fervent following with neither of those gifts.
Belle And Sebastian Songs
Belle And Sebastian Scooby Driver For Mac
Toledo is an intriguing figure: his 11th album is a rerecording of his sixth, given extra oomph and proper production now that Car Seat Headrest is a muscular, exciting, rock band, rather than only him making music in his bedroom. There are some changes – Nervous Young Inhumans has a new set of lyrics – but in the main, this is about pulling the album into sharper focus. There’s a certain self-indulgence to Car Seat Headrest, but it’s necessary for Toledo to scratch at the scabs of his life. Over the 13 minutes of Beach-Life- in-Death, he tries to unpick his confusion and bitterness and resentment, with swoops into devastating clarity: “I pretended I was drunk when I came out to my friends / I never came out to my friends / We were all on Skype / And I laughed and I changed the subject.” There are times when the less charitable might be inclined to shout at Toledo to pull himself together, but Car Seat Headrest increasingly feel like a significant band, and Toledo like an unusual and compelling voice.
SUPERCHUNK, What A Time To Be Alive (CD/LP) When Donald Trump won the presidency in 2016, something snapped inside the members of Superchunk. As they watched “deplorables” take cabinet positions and alt-right Nazis align, the veteran indie-rockers had a visceral reaction. The band members, four liberal-minded musicians who have called purple-state North Carolina their home since they formed in 1989, wrote all of the record’s songs in a frenzied rush between the election and February 2017 and they ultimately struck on a perfect half-hour of punky, poppy vitriol.
Youtube Belle And Sebastian
The title track smarts with sarcasm as frontman Mac McCaughan howls, “The scum, the shame, the fucking lies/Oh, what a time to be alive” over a deceptively optimistic chord progression. On “I Got Cut,” he bellows, “All these old men won’t die too soon/Flesh balloons, still waving their arms around,” along with words of support for Chelsea Manning, between lead-guitar sighs. And on “All for You,” McCaughan challenges a solipsistic, greedy adversary (wonder who they have in mind?) with the chorus, “Fight me/I don’t like to get hit but fight me.” It’s raw, bitter and catchier than influenza (or affluenza, as the case may be). Superchunk have grown up mightily since they became indie-rock heroes with their breakout 1992 single “Slack Motherfucker,” and its insolent chorus, “I’m working but I’m not working for you,” but while the times have changed, the songs remain the same – if not a little better.
